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    <title>Emilio Martínez Poppe</title>
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        <a  class="menu" href="index.html"><strong>Emilio Martínez Poppe</strong></a>
        <a class="menu" href="work.html" style="text-decoration: underline;">Work</a>
        <a class="menu" href="about.html">About</a>
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      <p class="mainMenu">
        <a class="mainMenu" href="oloqueseas.html"><i>o lo que seas</i></a>
        <a class="mainMenu" href="passage.html"><i>Passage</i></a>
        <a class="mainMenu" href="16portals.html"><i>16 Portals</i></a>
        <a class="mainMenu" href="endCredits.html"><i>End Credits for the Places That Make Us</i></a>
        <a class="mainMenu" href="colonarts.html"><i>Introduction to the Colon Arts</i></a>
        <a class="mainMenu"  href="openCredits.html"><i>Open Credits</i></a>
        <a class="mainMenu" href="husk2.html"><i>Metamucil Sculpture Workshop</i></a>
        <a class="mainMenu"  href="sideroomManifesto.html"><i>Sideroom Manifesto</i></a>
        <a class="mainMenu"  href="atobjectivepound.html"><i>@Berlin(Sophie's Camera)#sophieandemiliogotoberlin</i></a>
        <a class="mainMenu"  href="husk.html" style="text-decoration: underline;"><i>Metamucil Sculpture Studio in the NoHo Broadway Starbucks Bathroom</i></a>
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      <h2>Metamucil Sculpture Studio in the NoHo Broadway Starbucks Bathroom</h2>
      <p>
        2015
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      <img src="assets/husk2.png">
          <p class="description">
            A twenty-minute performance in the NoHo Broadway Starbucks where I repurpose their single-stall gender-neutral bathroom as a studio to make Metamucil sculptures in the form of butt plugs. The performance ends early when threatening remarks are made through the door. Upon exiting, a very long queue becomes an audience for the work. In NYC, Starbucks—a multinational private corporation—provides a basic urban necessity where public restrooms are few and far between, and gender-neutral ones even more so.
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